Home  ›  Pitchfork Never Review Our Albums Again

Pitchfork Never Review Our Albums Again

Written By Wednesday, March 16, 2022 Add Comment Edit

Online music magazine

Pitchfork
Three black arrows pointing 45° up and to the right, the middle arrow being slightly longer. All three arrows are together encircled twice in black circles. The Pitchfork wordmark which displays the name Pitchfork in a black serif font.

Pitchfork logo and wordmark
Pitchfork.com screenshot.png

Screenshot of Pitchfork 's homepage

Blazon of site

 Online music magazine
Available in English
Founded 1995; 27 years ago  (1995)
Country of origin United States
Possessor Condé Nast
Created by Ryan Schreiber
Editor Puja Patel
Employees 36[1]
Parent Condé Nast
URL pitchfork.com
Commercial Yes
Registration No
Launched 1995; 27 years agone  (1995) (as Turntable)
Current status Active

Pitchfork (formerly Pitchfork Media ) is an American online music publication (currently owned past Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog.

Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. Information technology has since expanded and covers all kinds of music, including popular.[2] Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-primary until he left the website in 2019.[iii] [iv] Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One Globe Trade Heart alongside other Condé Nast publications.[5] [6]

The site is best known for its daily output of music reviews just also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously reviewed, each Sunday. The site publishes "all-time-of" lists—albums, songs—and annual features and retrospectives each year. During the 1990s and 2000s the site'due south reviews—favorable or otherwise—were considered widely influential in making or breaking careers.[7]

History [edit]

Previous Pitchfork logo

In tardily 1995, Ryan Schreiber, a recent high school graduate, created the magazine in Minneapolis. Influenced by local fanzines and KUOM, Schreiber, who had no previous writing experience, aimed to provide the Internet with a regularly updated resource for independent music. Initially called Turntable, the site was updated monthly with interviews and reviews. In May 1996, the site began publishing daily and was renamed Pitchfork, alluding to Tony Montana'southward tattoo in Scarface.[8] Schreiber wrote the website'south first review, of Pacer past The Amps.[9]

In early 1999, Schreiber relocated Pitchfork to Chicago, Illinois. By then, the site had expanded to four full-length anthology reviews daily, as well as sporadic interviews, features, and columns. Information technology had too begun garnering a post-obit for its all-encompassing coverage of secret music and its writing style, which was often unhindered past the conventions of journalism. In October, the site added a daily music news section.[ citation needed ]

Pitchfork has launched a variety of subsidiary websites. Pitchfork.tv set, a website displaying videos related to many independent music acts, launched in April 2008; it features bands that are typically found on Pitchfork .[ citation needed ] In July 2010, Pitchfork announced Altered Zones, a blog aggregator devoted to underground and do information technology yourself music.[10] On May 21, 2011, Pitchfork announced a partnership with Kill Screen, in which Pitchfork would publish some of their manufactures.[xi] Altered Zones was closed on Nov 30.[12] On December 26, 2012, Pitchfork launched Nix Major, a website that covered visual arts such as fine art and photography.[thirteen] Zippo Major closed in Oct 2013.[fourteen] On October xiii, 2015, Condé Nast appear that information technology had acquired Pitchfork.[3] Following the sale, Schreiber remained equally editor-in-main.[15]

On March 13, 2016, Pitchfork was redesigned. According to an announcement post during the redesign, they said:[16]

We concluding redesigned in the fall of 2011. A lot about the online globe has changed since and then. This iteration, more than a year in the making, brings Pitchfork into a new era, improving functionality and inviting deeper exploration while simplifying the experience to make browsing, searching, reading, listening, and watching easier.

In August 2018, Pitchfork 'southward longtime executive editor Mark Richardson stepped downwards. He began writing for the site in 1998[17] and was employed full-time in 2007.[xviii] On September xviii, 2018, founder Ryan Schreiber stepped down as the site'due south top editor. He was replaced by Puja Patel every bit editor-in-chief on Oct xv, 2018.[19] On January viii, 2019, Schreiber announced he would be exiting the company.[4] In January 2019, Condé Nast announced it would put all its titles, including Pitchfork, backside a paywall by the end of the year, though this did not occur.[20]

Influence [edit]

Publicity and artist popularity [edit]

Pitchfork 'south opinions have gained increased cultural currency; some in the mainstream media view the site as a barometer of the independent music scene, and positive quotes from its reviews are increasingly used in press releases and affixed to the front of CDs. Some publications have cited Pitchfork in having played a office in "breaking" artists such as Arcade Fire, Sufjan Stevens, Handclapping Your Hands Say Yeah, Interpol, The Go! Team, Inferior Boys, The Books, Cleaved Social Scene, Cold War Kids, Wolf Parade, Tapes 'northward Tapes, and Titus Andronicus although the site's true bear upon on their popularity remains a source of frequent contend.[viii] Their influence on the formation of communities for contained artists has led to the term "The Pitchfork Effect".[21]

Conversely, Pitchfork has also been seen every bit being a negative influence on some indie artists. As suggested in a Washington Post article in April 2006, Pitchfork 's reviews can have a significant influence on an album's popularity, especially if it had only been available to a limited audience or had been released on an independent record label. A dismissive 0.0 review of onetime Dismemberment Programme frontman Travis Morrison'southward Travistan album led to a large sales drop and a virtual college radio blacklist.[8] On the other hand, "an endorsement from Pitchfork—which dispenses its approval one-10th of a signal at a time, up to a maximum of 10 points—is very valuable, indeed."[8]

Examples of Pitchfork 's impact include:

  • Arcade Fire is among the bands almost ordinarily cited to have benefited from a Pitchfork review. In a 2005 Chicago Tribune article, a Merge Records employee states, "Afterward the Pitchfork review, [Funeral] went out of print for about a week because we got so many orders for the record."[22]
  • Bon Iver was catapulted to mainstream and critical success after a 2007 Pitchfork review of the album For Emma, Forever Ago.[23] Pitchfork was the only publication to take included the album on a 2007 finish-of-the-twelvemonth listing, while over sixteen popular publications included the re-release on their 2008 lists. In the summertime of 2011, Pitchfork noted Bon Iver's self-titled release as "All-time New Music", and afterward chose the release as the best anthology of 2011. Pitchfork 's critical acclamation of Bon Iver is widely seen as lifting the artist to commercial mainstream success, which culminated with his Grammy Accolade for Best New Artist and Best Alternative Music Album. Fourth dimension nominated Bon Iver as Person of the Year in 2012, noting the 2007 Pitchfork review as the "indie cred" that "led to mainstream success".[24]
  • Handclapping Your Easily Say Yeah member Lee Sargent has discussed the bear on of Pitchfork 's influence on their self-titled debut album, saying, "The matter about a publication like Pitchfork is that they can decide when that happens. Yous know what I mean? They tin can say, 'We're going to speed upwards the procedure and this is going to happen...now!' And information technology was a kick in the pants for the states, because we lost command of everything."[25]

Size and readership [edit]

On October 24, 2003, Loren Jan Wilson of Pitchformula.com reported that Pitchfork had published 5,575 reviews from 158 different authors, with an average length of simply over 520 words. Together, the reviews featured a full of 2,901,650 words.[26]

Criticism [edit]

In the 2000s the website's journalism favored independent music, favoring lo-fi and ofttimes obscure indie rock and giving just cursory treatment to other genres.[27] The website had a reputation for publishing reviews early on and for existence unpredictable, often strongly dependent on which reviewer was writing. In a 2006 article in Slate, Matthew Shaer accused Pitchfork of deliberately writing provocative and contrarian reviews in order to attract attention.[28]

The website was sometimes criticized in those years for the quality of its writing. A 2006 article in City Pages noted the large discretion the site gave to its writers, arguing it was "under-edited" and that the prose was oft "overly florid".[27] Shaer singled out some examples of "verbose and unreadable writing".[28] In response, Schreiber told City Pages that "I trust the writers to their opinions and to their own style and presentation. The most of import matter to me is they know what they're talking well-nigh and are insightful."[27]

A 2007 review of the album Kala by M.I.A. inaccurately said that Diplo had produced the tracks, when he had produced 3 out of 11 tracks and M.I.A. had produced the rest. Another Pitchfork writer described the error as "perpetuating the male-led ingenue myth".[29] M.I.A. and afterward Björk argued that this was office of a wider problem of music journalists making the supposition that female person singers do non write or produce their own music.[30] [31]

Leaked music [edit]

In Baronial 2006, a directory on Pitchfork 'due south servers containing over 300 albums was compromised. A web surfer managed to discover and download the collection, which included The Decemberists' The Crane Wife and Television set on the Radio's Return to Cookie Mountain, both of which had been leaked to peer-to-peer networks. Allegedly, 1 of the albums on the server, Joanna Newsom'due south Ys, had not been available on file-sharing networks.[32]

Parodies [edit]

  • When Pitchfork asked comedian David Cantankerous to compile a listing of his favorite albums, he instead provided them with a listing of "Albums to Listen to While Reading Overwrought Pitchfork Reviews". In it, he satirically piled over-the-top praise on fictional indie rock records, mocking Pitchfork's reviewing fashion.[33]
  • In 2004, one-act website Something Awful created a parody of Pitchfork 's forepart page. Entitled "RichDork Media", the folio makes reference to nonexistent, obscure-sounding indie-rock bands in its reviews, news headlines and advertisements. The rating system measures music on its proximity to the band Radiohead.[34] A like, more light-hearted parody was created past Sub Pop, a record characterization whose musical artists Pitchfork has reviewed (often favorably).[35]
  • On September ten, 2007, the satirical paper The Onion published a story in which founder Ryan Schreiber reviews music as a whole, giving it a half dozen.eight.[36]
  • In 2010, author David Shapiro started a Tumblr chosen "Pitchfork Reviews Reviews", which reviews Pitchfork reviews.[37]
  • In 2013, the IFC sketch comedy television receiver series Portlandia satirized the publication in a sketch in which a collective of children run a website entitled "Pitchfork Kids!" and give a highly favorable review to an anthology past the fictional children'south music band Defiance of Anthropomorphic Bounding main Mammals.[38]
  • In 2016, in the RiffTrax comedy commentary for the motion picture Icebreaker, Mike Nelson quipped about the ticking of a Geiger counter, "This Geiger counter released an anthology of just this; Pitchfork gave it an 8.3."[39]

The Pitchfork Review [edit]

Logo of The Pitchfork Review

In December 2013, Pitchfork Media debuted The Pitchfork Review, a quarterly impress journal focused on long-form music writing and design-focused content.[40] J. C. Gabel, its first editor, had been the publisher of The Chicagoan and founding publisher of End Smiling.[41] Pitchfork planned a limited-edition quarterly publication of near 10,000 copies of each result, perfect bound, and printed on sleeky, loftier-quality 8-past-x¼ paper.[42] It was expected that about two-thirds of the content would be original, with the remaining one-tertiary recycled from the Pitchfork website.[42] The International Business concern Times likened the publication'due south literary aspirations to The New Yorker and The Paris Review.[43] It ended after 11 issues[44] in Nov 2016.[45]

Music festivals [edit]

Intonation Music Festival [edit]

In 2005, Pitchfork curated the Intonation Music Festival, attracting approximately 15,000 attendees to Chicago's Marriage Park for a two-day neb featuring performances by 25 acts, including Broken Social Scene, The Decemberists, The Go! Team, and an appearance past Les Savy Fav.

Pitchfork Music Festival [edit]

On July 29 and 30, 2006, the publication premiered its ain Pitchfork Music Festival in the same park. The event attracted over eighteen,000 attendees per day. More than than 40 bands performed at the inaugural festival, including Spoon and Yo La Tengo, as well as a rare headlining set by reunited Tropicália ring Bone Mutantes.[46]

The Pitchfork Music Festival was held once more in 2007. It was expanded to three days (Friday, July 13 – Sunday, July xv), with the start day being a collaboration betwixt Pitchfork and the British music festival All Tomorrow's Parties as part of the latter's "Don't Await Back" serial, in which seminal artists perform their most legendary albums in their entirety. Performers that evening included Sonic Youth playing Daydream Nation, Slint playing Spiderland, and GZA/Genius playing Liquid Swords. Some of the other artists who performed over the weekend included Yoko Ono, De La Soul, True cat Ability, The New Pornographers, Stephen Malkmus, Clipse, Fe & Wine, Girl Talk, of Montreal, Deerhunter, Dan Deacon, The Ponys, and The Sea and Cake. Since 2011, a European winter edition of the festival has taken identify in Paris.

All Tomorrow'south Parties [edit]

In 2008 Pitchfork collaborated with All Tomorrow'southward Parties to curate half of the pecker for one of their May festival weekends. This was the first event that Pitchfork has been involved in outside of the United states of america.

Rating system [edit]

Pitchfork 's music reviews employ two different rating systems:

  • Individual runway reviews were formerly ranked from 1 to five stars, only on January 15, 2007, the site introduced a new system chosen "Forkcast". In it, instead of assigning tracks a particular rating, reviewers simply label them one of the following categories: "New Music", "Old Music", "Video", "Advanced Music", "Ascent", "WTF", "On Echo" (the category of their most favorably regarded songs), and "Delete" (for the to the lowest degree favored songs). As of 2009[update], the site had officially removed this system, opting to instead just review tracks, while giving some a label of "Best New Rails".
  • Anthology reviews are given a rating from 0 to 10, specific to one decimal place.

On October 24, 2003, Pitchformula.com[47] fabricated a survey of the 5,575 reviews available on Pitchfork at that time, showing that:

  • vi.7 was the boilerplate rating
  • two,339 reviews had been awarded a rating of 7.4 or higher
  • ii,362 reviews had been awarded a rating of between five.0 and 7.3
  • 873 reviews had been awarded a rating of less than 5.0[26]

British Bounding main Ability's 2008 anthology Do Yous Like Rock Music? was initially awarded a tongue-in-cheek rating of "U.2", however the page now gives a rating of eight.2, seemingly at odds with the critical review.[48] Their rating of Run the Jewels' remix anthology Meow the Jewels (2015) was a pictogram of a cat's caput with hearts for eyes – highlighting the pictogram and correct-clicking on information technology reveals that the actual score is seven.0.[49] Their review of Pope Francis' album Wake Up! featured the rating "3:sixteen", though using the same method of revealing Meow the Jewels ' actual score reveals the score to be 5.0.[50] Rather than give a traditional review to Jet's Polish On, the site simply posted an embedded video of a monkey urinating into its ain mouth and a 0.[51]

Initial release 10.0 rated albums [edit]

The following is a listing of albums given Pitchfork'south highest possible rating, on initial release. The score is rare and has just been given to twelve albums since the site was launched in 1995. As of May 2021, 127 other albums have been given a x.0 following a reissue or the publication of a retrospective review.[52] Pitchfork has since deleted the reviews for 12 Rods, Amon Tobin, Walt Mink, The Flaming Lips, and Bob Dylan without replacing them with newer reviews, pregnant that just seven albums continue to exist listed with a 10.0 rating that was given on initial release. In a 2021 historical roundup, Pitchfork listed eleven albums equally having received a x.0 on their initial release: All of the below listed albums with the exception of the Bob Dylan live recording.[52]

Relaxation of the Asshole, a one-act album by Guided by Voices singer Robert Pollard, was awarded a dual 0 and 10 on initial release. A later site redesign changed the rating to 0 only, although the caption for the unusual rating remains in the text of the review.[53]

Artist Title Year Reference
12 Rods Gay? 1996 [54]
Walt Mink El Producto [55]
Amon Tobin Bricolage 1997 [56]
Radiohead OK Figurer [57]
Bob Dylan The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert 1998 [58]
Bonnie 'Prince' Baton I See a Darkness 1999 [59]
The Flaming Lips The Soft Bulletin [60]
Radiohead Kid A 2000 [61]
...And Yous Will Know Us by the Trail of Expressionless Source Tags & Codes 2002 [62]
Wilco Yankee Hotel Foxtrot [63]
Kanye Westward My Cute Dark Twisted Fantasy 2010 [64]
Fiona Apple tree Fetch the Bolt Cutters 2020 [65]

Pitchfork awards [edit]

Album of the Yr [edit]

Twelvemonth Creative person Album Source
1998 (original) Sunny Mean solar day Real Manor How Information technology Feels to Be Something On [66]
1998 (2018 retrospective) Outkast Aquemini [67]
1999 The Dismemberment Plan Emergency & I [68]
2000 Radiohead Kid A [69]
2001 The Microphones The Glow Pt. ii [lxx]
2002 Interpol Turn On the Bright Lights [71]
2003 The Rapture Echoes [72]
2004 Arcade Burn Funeral [73]
2005 Sufjan Stevens Illinois [74]
2006 The Pocketknife Silent Shout [75]
2007 Panda Behave Person Pitch [76]
2008 Fleet Foxes Dominicus Giant/Armada Foxes [77]
2009 Animal Collective Merriweather Post Pavilion [78]
2010 Kanye West My Beautiful Dark Twisted Fantasy [79]
2011 Bon Iver Bon Iver, Bon Iver [eighty]
2012 Kendrick Lamar Good Kid, M.A.A.D Urban center [81]
2013 Vampire Weekend Modern Vampires of the Urban center [82]
2014 Run the Jewels Run the Jewels ii [83]
2015 Kendrick Lamar To Pimp a Butterfly [84]
2016 Solange A Seat at the Table [85]
2017 Kendrick Lamar Damn [86]
2018 Mitski Be the Cowboy [87]
2019 Lana Del Rey Norman Fucking Rockwell! [88]
2020 Fiona Apple Fetch the Bolt Cutters [89]
2021 Jazmine Sullivan Heaux Tales [90]

Track of the Twelvemonth [edit]

Year Creative person Song Source
2003 Outkast "Hey Ya!" [91]
2004 Annie "Heartbeat" [92]
2005 Antony and the Johnsons "Hope At that place's Someone" [93]
2006 Justin Timberlake featuring T.I. "My Love" [94]
2007 LCD Soundsystem "All My Friends" [95]
2008 Hercules and Love Affair "Blind" [96]
2009 Animate being Collective "My Girls" [97]
2010 Ariel Pink's Haunted Graffiti "Round and Circular" [98]
2011 M83 "Midnight City" [99]
2012 Grimes "Oblivion" [100]
2013 Drake featuring Majid Hashemite kingdom of jordan "Agree On, We're Going Habitation" [101]
2014 Hereafter Islands "Seasons (Waiting on You)" [102]
2015 Kendrick Lamar "Alright" [103]
2016 Kanye West featuring The-Dream, Take a chance the Rapper, Kelly Price, and Kirk Franklin "Ultralight Beam" [104]
2017 Cardi B "Bodak Yellow" [105]
2018 The 1975 "Love It If We Fabricated It" [106]
2019 FKA Twigs "Cellophane" [107]
2020 Cardi B featuring Megan Thee Stallion "WAP" [108]
2021 Caroline Polachek "Bunny Is a Passenger" [109]

Video of the Yr [edit]

Yr Creative person Video Source
2015 Kendrick Lamar "Alright" [110]
2016 Beyoncé Lemonade [111]
2017 Björk "The Gate" [112]
2018 Rosalía "Malamente – Cap 1: Augurio" [113]
2019 FKA Twigs "Cellophane" [114]
2020 Due north/A Due north/A [115]

See also [edit]

  • The Pitchfork 500

References [edit]

  1. ^ "Masthead". Pitchfork. Archived from the original on May 26, 2019. Retrieved Feb 21, 2020.
  2. ^ Singer, Dan (November 13, 2014). "Are Professional Music Critics an Endangered Species?". American Journalism Review. Archived from the original on September sixteen, 2015. Retrieved September 13, 2015.
  3. ^ a b "Condé Nast Buys Pitchfork Media". The New York Times. Archived from the original on July 9, 2017. Retrieved October thirteen, 2015.
  4. ^ a b Brown, Baronial (January 9, 2019). "Pitchfork'southward Ryan Schreiber shaped Internet music journalism and at present leaves information technology behind". Los Angeles Times. Archived from the original on Jan 23, 2019. Retrieved January 24, 2019.
  5. ^ Steigrad, Alexandra (April eleven, 2016). "Pitchfork Media to Leave Hipster Digs for Condé Nast's one WTC Headquarters". Women's Wearable Daily. Archived from the original on September xix, 2020. Retrieved Baronial seven, 2020.
  6. ^ "Pitchfork Acquired past Condé Nast". Pitchfork. October 13, 2015. Retrieved Oct xiv, 2021.
  7. ^ Barshad, Amos (May 1, 2018). "What Was It Like When Critics Could Kill? Nearly Musicians Still Don't Desire to Talk Virtually Information technology". Slate. Archived from the original on August 3, 2020. Retrieved August 7, 2020.
  8. ^ a b c d Freedom du Lac, J. (Apr thirty, 2006). "Giving Indie Acts A Plug, or Pulling Information technology". The Washington Post. Archived from the original on April 25, 2017. Retrieved April 27, 2017.
  9. ^ Dombal, Ryan (May 25, 2021). "The History of Pitchfork's Reviews Section in 38 Important Reviews". Pitchfork. Retrieved May 25, 2021.
  10. ^ "Pitchfork launches Contradistinct Zones". Pitchfork. July 7, 2010. Archived from the original on December 26, 2012. Retrieved May xxx, 2013.
  11. ^ "Pitchfork Announces Partnership With Kill Screen". Pitchfork. May 21, 2011. Archived from the original on October 13, 2016. Retrieved October 13, 2016.
  12. ^ "Altered Zones RIP". The Brooklyn Vegan. Nov xxx, 2011. Archived from the original on March 26, 2021. Retrieved May thirty, 2013.
  13. ^ "Welcome to Nada Major". Pitchfork. Dec 26, 2012. Archived from the original on June xiv, 2013. Retrieved May 30, 2013.
  14. ^ "And so Long for Now". Nothing Major. Oct xvi, 2013. Archived from the original on February xviii, 2015. Retrieved September 29, 2014.
  15. ^ "Pitchfork Masthead". Pitchfork. Archived from the original on May 26, 2019. Retrieved July 18, 2016.
  16. ^ "Introducing Pitchfork's New Website: Our get-go full redesign since 2011". Pitchfork. March 13, 2016. Archived from the original on March fifteen, 2016. Retrieved March 15, 2016.
  17. ^ "MCA Talk: Jeff Tweedy". MCA. Archived from the original on Jan 24, 2019. Retrieved January 24, 2019.
  18. ^ "Mark Richardson'southward Greatest Hits". Pitchfork. July 30, 2018. Archived from the original on January 24, 2019. Retrieved January 24, 2019.
  19. ^ Kelly, Keith J. (September xviii, 2018). "Pitchfork founder Ryan Schreiber steps downwards as tiptop editor". Archived from the original on January 24, 2019. Retrieved January 24, 2019.
  20. ^ Trachtenberg, Jeffrey A. (January 23, 2019). "Condé Nast to Put All Titles Backside Paywalls by Year End". The Wall Street Periodical. Archived from the original on Jan 23, 2019. Retrieved January 24, 2019.
  21. ^ Henderson, Scott (2008). "Canadian Content Regulations and the Germination of a National Scene". Pop Music. 27 (2): 307–315. doi:ten.1017/S0261143008004108. ISSN 0261-1430. JSTOR 40212382. S2CID 162636377.
  22. ^ Kot, Greg (May 8, 2005). "Pitchfork e-zine tells indie fans what'due south hot and non". The Honolulu Advertiser. Archived from the original on April 21, 2008. Retrieved October 29, 2006.
  23. ^ "Bon Iver'southward New Album: An Elusive Kanye West Collaborator Returns to His Emotional Roots". Time. June 2011. Archived from the original on June 23, 2011. Retrieved June twenty, 2011.
  24. ^ "Bon Iver". Time. June 2012. Archived from the original on March 29, 2012. Retrieved March 29, 2012.
  25. ^ CR (June 2005). "Handclapping Your Hands Say Yeah Interview". Tiny Mix Tapes. Archived from the original on February 27, 2008. Retrieved Feb 2, 2008.
  26. ^ a b Wilson, Loren Jan. "Statistics for the reviews database". pitchformula.com. Archived from the original on Nov 9, 2006.
  27. ^ a b c Thomas, Lindsey (June 14, 2006). "The Pitchfork Outcome". City Pages. Archived from the original on January 11, 2016. Retrieved October 30, 2006.
  28. ^ a b Shaer, Matthew (November 28, 2006). "The indie music site that anybody loves to hate". Slate. Archived from the original on Jan 10, 2007. Retrieved January 12, 2007.
  29. ^ "Album Reviews: K.I.A.: Kala". Pitchfork. Baronial 21, 2007. Archived from the original on April 3, 2019. Retrieved January 30, 2011.
  30. ^ Thomson, Paul (2007). "M.I.A. Confronts the Haters". Pitchfork. Archived from the original on October 27, 2019. Retrieved Dec 10, 2007.
  31. ^ Nicholson, Rebecca (Baronial 27, 2008). "Why Björk is correct to stand up upward for female person producers". The Guardian. London. Archived from the original on May eighteen, 2016. Retrieved Dec sixteen, 2016.
  32. ^ "The Joanna Newsom leak - Music". The Phoenix. Archived from the original on June 30, 2017. Retrieved October 17, 2017.
  33. ^ Cross, David (May 5, 2005). "Albums to Mind to While Reading Overwrought Pitchfork Reviews". Pitchfork. Archived from the original on March xviii, 2009. Retrieved October 30, 2006.
  34. ^ "RichDork Media and Music Reviews and Full general Pretentiousness". Something Awful. 2004. Archived from the original on April 29, 2007. Retrieved April 28, 2007.
  35. ^ Whitmore, Dean. "Popdork Feature: The Dean's List". Sub Pop. Archived from the original on Baronial 6, 2004.
  36. ^ "Pitchfork Gives Music 6.8". The Onion. September 5, 2007. Archived from the original on September 11, 2007. Retrieved September 10, 2007.
  37. ^ "David Shapiro Isn't Much Use to Anyone". Vice. Archived from the original on June 28, 2016. Retrieved September viii, 2017.
  38. ^ "Portlandia: "Squiggleman"". Idiot box Club. Archived from the original on August 8, 2020. Retrieved Baronial 15, 2020.
  39. ^ Nelson, Mike; Tater, Kevin; Corbett, Beak (January 22, 2016). "Icebreaker". 0:31:14: RiffTrax. Archived from the original on March 21, 2017. Retrieved Feb 27, 2017. {{cite spider web}}: CS1 maint: location (link)
  40. ^ Nagy, Evie (November 21, 2013). "Pitchfork to launch $19.96 impress publication, The Pitchfork Review". Fast Company. Archived from the original on July 2, 2014. Retrieved July 3, 2014.
  41. ^ "Introducing The Pitchfork Review". Pitchfork. Nov 21, 2013. Archived from the original on March 25, 2014.
  42. ^ a b Sisario, Ben (Nov 21, 2013). "With Pitchfork Review, a Music Site Plants a Flag in Print". The New York Times. Archived from the original on November 25, 2013.
  43. ^ Zara, Christopher (November 21, 2013). "Pitchfork Media Takes A Stab At Print With The Pitchfork Review: Can It Save Music Magazines?". International Business Times. Archived from the original on February 3, 2014.
  44. ^ "The Pitchfork Review". The Pitchfork Review. Archived from the original on July 14, 2014. Retrieved March ix, 2017.
  45. ^ Cush, Andy (February 23, 2017). "Sources: The Pitchfork Review, Pitchfork's Print Quarterly, Is Quietly Shutting Downwardly". Spin. Archived from the original on April 19, 2017. Retrieved April 18, 2017.
  46. ^ "Pitchfork Music Festival 2006". Pitchfork Media. August 2, 2006. Archived from the original on October 27, 2006. Retrieved October thirty, 2006.
  47. ^ "Pitchformula.com". pitchformula.com. Archived from the original on October 30, 2017. Retrieved October 17, 2017.
  48. ^ "British Sea Power: Do You Like Rock Music?". Pitchfork. Archived from the original on February 7, 2016. Retrieved February 5, 2016.
  49. ^ "Run the Jewels". Pitchfork. Archived from the original on August 13, 2020. Retrieved February 21, 2020.
  50. ^ "Pope Francis". Pitchfork. Archived from the original on August 6, 2020. Retrieved Feb 21, 2020.
  51. ^ "Jet: Smoothen On". Pitchfork. Archived from the original on January 2, 2020. Retrieved Feb 21, 2020.
  52. ^ a b Borovinsky, Kelsey (May 26, 2021). "Pitchfork'southward Reviews Section By the Numbers". Pitchfork. Retrieved May 27, 2021.
  53. ^ Robert Pollard - Relaxation of the Asshole review Archived May 24, 2020, at the Wayback Machine – Pitchfork
  54. ^ "12 Rods: Gay?: Pitchfork Record Review". Archived from the original on March seven, 2008.
  55. ^ "Walt Mink: El Producto: Pitchfork Review". Archived from the original on February 24, 2003.
  56. ^ "Amon Tobin: Bricolage: Pitchfork Record Review". Archived from the original on February 12, 2008.
  57. ^ "Radiohead: OK Computer: Pitchfork Review". Archived from the original on March 3, 2001.
  58. ^ "Bob Dylan: The Bootleg Series, Vol. iv: Live 1966: The Royal Albert Hall Concert: Pitchfork Review". Archived from the original on June 4, 2004. Retrieved August fourteen, 2014.
  59. ^ "Bonnie "Prince" Baton: I Meet a Darkness: Pitchfork Review". Archived from the original on Baronial 23, 2000.
  60. ^ "Flaming Lips: The Soft Message: Pitchfork Record Review". Archived from the original on July eleven, 2007.
  61. ^ "Radiohead". Pitchfork. Archived from the original on January 9, 2020. Retrieved February 21, 2020.
  62. ^ "...And You Volition Know Us by the Trail of Dead". Pitchfork. Archived from the original on Jan 25, 2020. Retrieved Feb 21, 2020.
  63. ^ "Wilco". Pitchfork. Archived from the original on April iv, 2020. Retrieved February 21, 2020.
  64. ^ "Kanye West". Pitchfork. Archived from the original on Nov 23, 2010. Retrieved February 21, 2020.
  65. ^ "Fiona Apple". Pitchfork. Archived from the original on April 17, 2020. Retrieved April 17, 2020.
  66. ^ Schreiber, Ryan (January 4, 1999). "Pitchfork Special Report". Pitchfork. Archived from the original on October 21, 1999. Retrieved Baronial 17, 2020.
  67. ^ "Staff Lists". Pitchfork. Archived from the original on September 10, 2018. Retrieved February 12, 2018.
  68. ^ "Staff Lists". Pitchfork. Archived from the original on March 3, 2016. Retrieved Feb 21, 2020.
  69. ^ "Staff Lists". Pitchfork. Archived from the original on March 4, 2016. Retrieved February 21, 2020.
  70. ^ "Staff Lists". Pitchfork. Archived from the original on March 4, 2016. Retrieved Feb 21, 2020.
  71. ^ "Staff Lists". Pitchfork. Archived from the original on February 29, 2016. Retrieved Feb 21, 2020.
  72. ^ "Staff Lists". Pitchfork. Archived from the original on February 29, 2016. Retrieved February 21, 2020.
  73. ^ "Staff Lists". Pitchfork. Archived from the original on February 29, 2016. Retrieved February 21, 2020.
  74. ^ "Staff Lists". Pitchfork. Archived from the original on January 31, 2011. Retrieved February 21, 2020.
  75. ^ "Staff Lists". Pitchfork. Archived from the original on February 29, 2016. Retrieved February 21, 2020.
  76. ^ "Staff Lists". Pitchfork. Archived from the original on Feb 29, 2016. Retrieved February 21, 2020.
  77. ^ "Staff Lists". Pitchfork. Archived from the original on February 29, 2016. Retrieved Feb 21, 2020.
  78. ^ "Staff Lists". Pitchfork. Archived from the original on February 29, 2016. Retrieved February 21, 2020.
  79. ^ "Staff Lists". Pitchfork. Archived from the original on June 13, 2011. Retrieved February 21, 2020.
  80. ^ "Staff Lists". Pitchfork. Archived from the original on March 4, 2016. Retrieved February 21, 2020.
  81. ^ "Staff Lists". Pitchfork. Archived from the original on February 29, 2016. Retrieved February 21, 2020.
  82. ^ "The Superlative 50 Albums of 2013". Pitchfork. Archived from the original on July 24, 2015. Retrieved August 14, 2014.
  83. ^ "The Summit fifty Albums of 2014". Pitchfork. Archived from the original on December 23, 2014. Retrieved December 17, 2014.
  84. ^ "The 50 All-time Albums of 2015". Pitchfork. Archived from the original on March 26, 2021. Retrieved February 21, 2020.
  85. ^ "The fifty Best Albums of 2016". Pitchfork. Archived from the original on March 26, 2021. Retrieved Feb 21, 2020.
  86. ^ "The fifty Best Albums of 2017 | Pitchfork". Pitchfork. Archived from the original on December 13, 2017. Retrieved March thirteen, 2018.
  87. ^ "The l All-time Albums of 2018". Pitchfork. Archived from the original on Dec 14, 2018. Retrieved December 11, 2018.
  88. ^ "Staff Lists". Pitchfork. December 10, 2019. Archived from the original on December ten, 2019. Retrieved December 10, 2019.
  89. ^ "Staff Lists". Pitchfork. December eight, 2020. Archived from the original on December 8, 2020. Retrieved December 8, 2020.
  90. ^ "The 50 Best Albums of 2021". Pitchfork. Dec 7, 2021. Retrieved December 7, 2021.
  91. ^ "Staff Lists". Pitchfork. Archived from the original on February 29, 2016. Retrieved February 21, 2020.
  92. ^ "Staff Lists". Pitchfork. Archived from the original on March iii, 2016. Retrieved February 21, 2020.
  93. ^ "Staff Lists". Pitchfork. Archived from the original on March 4, 2016. Retrieved February 21, 2020.
  94. ^ "Staff Lists". Pitchfork. Archived from the original on March iv, 2016. Retrieved February 21, 2020.
  95. ^ "Staff Lists". Pitchfork. Archived from the original on February 29, 2016. Retrieved February 21, 2020.
  96. ^ "Staff Lists". Pitchfork. Archived from the original on March iii, 2016. Retrieved February 21, 2020.
  97. ^ "Staff Lists". Pitchfork. Archived from the original on Feb 29, 2016. Retrieved February 21, 2020.
  98. ^ "Staff Lists". Pitchfork. Archived from the original on February 29, 2016. Retrieved February 21, 2020.
  99. ^ "Staff Lists". Pitchfork. Archived from the original on March 3, 2016. Retrieved February 21, 2020.
  100. ^ "Staff Lists". Pitchfork. Archived from the original on February 29, 2016. Retrieved February 21, 2020.
  101. ^ "The Top 100 Tracks of 2013". Pitchfork. October 22, 2007. Archived from the original on Dec eighteen, 2013. Retrieved August 14, 2014.
  102. ^ "The 100 All-time Tracks of 2014". Pitchfork. Archived from the original on February xvi, 2016. Retrieved February 21, 2020.
  103. ^ "The 100 Best Tracks of 2015". Pitchfork. Archived from the original on February 29, 2016. Retrieved February 21, 2020.
  104. ^ "The 100 Best Songs of 2016". Pitchfork. Archived from the original on March 26, 2021. Retrieved Feb 21, 2020.
  105. ^ "The 100 Best Songs of 2017 | Pitchfork". Pitchfork. Archived from the original on June 20, 2019. Retrieved Dec 11, 2017.
  106. ^ "The 100 Best Songs of 2018". Pitchfork. Archived from the original on Feb iii, 2021. Retrieved December 10, 2018.
  107. ^ "The 100 Best Songs of 2019". Pitchfork. December nine, 2019. Archived from the original on Dec ix, 2019. Retrieved December nine, 2019.
  108. ^ "The 100 Best Songs of 2020". Pitchfork. December 7, 2020. Archived from the original on December 7, 2020. Retrieved Dec 7, 2020.
  109. ^ "The 100 Best Songs of 2021". Pitchfork. December vi, 2021. Retrieved December half dozen, 2021.
  110. ^ "The Best Music Videos of 2015". Pitchfork. Archived from the original on November eighteen, 2018. Retrieved Dec 17, 2014.
  111. ^ "The All-time Videos of 2016". Pitchfork. Archived from the original on September 10, 2018. Retrieved Dec 4, 2017.
  112. ^ "The Best Music Videos of 2017". Pitchfork. Archived from the original on July 31, 2018. Retrieved December iv, 2017.
  113. ^ "The Best Music Videos of 2018". Pitchfork. Archived from the original on December vi, 2018. Retrieved December v, 2018.
  114. ^ "The 20 Best Music Videos of 2019". Pitchfork. December 17, 2019. Archived from the original on December 17, 2019. Retrieved December 17, 2019.
  115. ^ "The 20 All-time Music Videos of 2020". Pitchfork. December 17, 2020. Archived from the original on January 8, 2021. Retrieved Dec 17, 2020.

External links [edit]

  • Official website Edit this at Wikidata

smithderfe1957.blogspot.com

Source: https://en.wikipedia.org/wiki/Pitchfork_%28website%29

0 Response to "Pitchfork Never Review Our Albums Again"

Post a Comment

Subscribe to: Post Comments (Atom)

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel